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Santa Monica (ver 3) by Everclear

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

SANTA MONICA (Bassline)
As recorded by Everclear



Transcribed by Gary Ramsey

 

 

Gtr I (E A D G) - 'Staff'


  Q=97
 4/4
  Gtr I
  W          W          W          W
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|


  W          W          W          W
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|
|----------|----------|----------|------|


  W          W          W          Q  E S S E E E E
|----------|----------|----------|-------------------|
|----------|----------|----------|-------------------|
|----------|----------|----------|--------2-3-2-0-2--|
|----------|----------|----------|-------------------|


  E E Q  E E E E   E E Q  E E E E   E E Q  E E E E   E E Q  E E E E
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|


  E E Q  E E E E   E E Q  E E E E   E E Q  E E E E   E E Q  E E E E
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|-5-5----5-5-7-7-|----------------|----------------|----------------|
|----------------|-8-8----8-8-5-5-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|


  E E Q  E E E E   E E Q  E E E E   E E Q  E E E E   E E E E E E E E
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-----------------|
|-5-5----5-5-7-7-|----------------|----------------|---------3-2-0-2-|
|----------------|-8-8----8-8-5-5-|-3-3----3-3-0-0-|-3-3-3-3---------|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-------------2-2-|-0-0-0-0-0-0-----|-----------------|
|-3-3-3-3-3-3-5-5-|-----------------|-------------3-3-|-------------5-5-|
|-----------------|-3-3-3-3-3-3-----|-----------------|-3-3-3-3-3-3-----|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E Q  E E E E
|-----------------|-----------------|-----------------|----------------|
|-----------------|-------------2-2-|-0-0-0-0-0-0-----|----------------|
|-3-3-3-3-3-3-5-5-|-----------------|-------------3-3-|----------------|
|-----------------|-3-3-3-3-3-3-----|-----------------|-3-3----3-3-0-0-|


  E E Q  E E E E   E E Q  E E E E   H    +Q   Q    E E Q  E E E E
|----------------|----------------|--------------|----------------|
|----------------|----------------|--------------|----------------|
|----------------|----------------|--------------|----------------|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3----(3)-----|-3-3----3-3-0-0-|


  E E Q  E E E E   E E Q  E E E E   E E Q  E E E E   E E E E E E E E
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-5-5-5-5-5-5-7-7-|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-----------------|


  E E E E E E E E   E E Q  E E E E   H    +Q   Q    E E Q  E E E E
|-----------------|----------------|--------------|----------------|
|-----------------|----------------|--------------|----------------|
|-----------------|----------------|--------------|----------------|
|-8-8-8-8-8-8-5-5-|-3-3----3-3-0-0-|-3----(3)-----|-3-3----3-3-0-0-|


  E E Q  E E E E   E E Q  E E E E   E E Q  E E E E   E E E E E E E E
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-----------------|
|----------------|----------------|----------------|-5-5-5-5-5-5-7-7-|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-----------------|


  E E E E E E E E   E E Q  E E E E   E E Q  E E E E   E E E E E E E E
|-----------------|----------------|----------------|-----------------|
|-----------------|----------------|----------------|-----------------|
|-----------------|----------------|----------------|-5-5-5-5-5-5-7-7-|
|-8-8-8-8-8-8-5-5-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-----------------|


  E E E E E E E E   E E Q  E E E E   E E E E E E E E   E E E E E E E E
|-----------------|----------------|-----------------|-----------------|
|-----------------|----------------|-----------------|-----------------|
|-----------------|----------------|-------------5-5-|-3-3-3-3-3-3-5-5-|
|-8-8-8-8-8-8-5-5-|-3-3----3-3-0-0-|-3-3-3-3-3-3-----|-----------------|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-------------2-2-|-0-0-0-0-0-0-----|-----------------|-----------------|
|-----------------|-------------3-3-|-------------5-5-|-3-3-3-3-3-3-5-5-|
|-3-3-3-3-3-3-----|-----------------|-3-3-3-3-3-3-----|-----------------|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-------------2-2-|-0-0-0-0-0-0-----|-----------------|-----------------|
|-----------------|-------------3-3-|-------------5-5-|-3-3-3-3-3-3-5-5-|
|-3-3-3-3-3-3-----|-----------------|-3-3-3-3-3-3-----|-----------------|


  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E
|-----------------|-----------------|-----------------|-----------------|
|-------------2-2-|-0-0-0-0-0-0-----|-----------------|-----------------|
|-----------------|-------------3-3-|-------------5-5-|-3-3-3-3-3-3-5-5-|
|-3-3-3-3-3-3-----|-----------------|-3-3-3-3-3-3-----|-----------------|


  E E E E E E E E   E E E E E E E E   E E Q  E E E E   E E Q  E E E E
|-----------------|-----------------|----------------|----------------|
|-------------2-2-|-0-0-0-0-0-0-----|----------------|----------------|
|-----------------|-------------3-3-|----------------|----------------|
|-3-3-3-3-3-3-----|-----------------|-3-3----3-3-0-0-|-3-3----3-3-0-0-|


  E E Q  E E E E   E E Q  E E E E   E E Q  E E E E   E E Q  E E E E
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3-3----3-3-0-0-|


  E E Q  E E E E   E E Q  E E E E   W          +H     +H
|----------------|----------------|----------|---------------|
|----------------|----------------|----------|---------------|
|----------------|----------------|----------|---------------|
|-3-3----3-3-0-0-|-3-3----3-3-0-0-|-3--------|-(3)----(3)----|


  e. S Q  H
|--------------*|
|--------------*|
|--------------*|
|-3------------*|




--------------------------------------------------------------------------------


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
n/  - tremolo bar dip; n = amount to dip
 n  - tremolo bar down
 n/  - tremolo bar up
/n  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths



--------------------------------------------------------------------------------

** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site
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Everclear Santa Monica (ver 3) bass tab

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